Rule #1: Don't piss off the sound guy!

If it sounds great, few notice. If it sounds crappy we get the blame--even if it is someone else's fault. Welcome to our world.
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Comment by Katala Bass on May 15, 2012 at 8:16am
Comment by John Shotwell on May 15, 2012 at 8:00am Mike,
I have, and use regularly the AT2035 and AT2050, I am quite happy with them for guitar amps, drum overheads, as well as voice over recording for theatrical shows I design. I can only imagine the 4040 would sound a little nicer, I would go with them.
p.s. I too have a Heil PR30 that I like putting on guitar amps as well as voice overs.
Comment by Mike Skinner on May 15, 2012 at 7:24am I used some just this last weekend. I was happy with what I got out of them considering the last time I used them was mixing monitors for a metal band that had them on all the drums. Just before sound check the drummer asked me to make his kit sound like a "type writer with gates". So sad......
Im not really interested in Heil though, thanks Don.
Comment by Don Lanier on May 14, 2012 at 10:44pm Have you tried any of Heils Mics Mike....The PR 30/40 is as good as any Ive used them for everything from recording to live guitar, percussion, overheads, cymbals, piano, very loud and soft programs etc, check them out...
Comment by Mike Skinner on May 14, 2012 at 6:31pm Yall,
I cant decide if I want to buy a pair of AT4040s or KSM32s. Please help.
Comment by Damon Gold on August 2, 2011 at 10:47pm
Comment by Ted Gregorek on August 2, 2011 at 10:43pm I got to mix on the Vi 6 a couple times and I demo'd the SI 32 compact. great consoles. the VI 6 is really expensive. I'm not kidding I think A&H got it right on this one. It blows the Yamaha out of the water sonically, it's more inputs than the SC48 and you get the digital snake. It's a no brainer.
Comment by Ted Gregorek on August 2, 2011 at 10:37pm I've never minded layers and the Vi stuff keeps a LOT of info right in front of you and sounds good as well. More detail is instantly avaiable. I use the Vi4 box for my 1-48 channels and use the 32 onboard converters for local stuff. Local 1-16 become console 49-64 for playback, MC, etc. Local 17-32 become the returns for any analog inserts. Outputs are all at the box leaving me the local stuff for my insert outs. Lex and Brooks processing. Cost us around 38k with the box. Not cheap but very happening.
I saw a 75 minute demo in person and asked a few questions but no hands on. Took delivery on a Tuesday and cabled it up and made sure it was working in place. Came in and messed around on Wednesday for a fewto do some configuration and minor "test drive". I then did 3 nights worth of one offs without ever opening the manual or messing with the offline editor and had no problem operatiing in a way that was quickly comfortable. A couple of gripes but small ones that will disappear after a while. Did I mention that it sounds good?!. I'll just ignore the "Made in China" stickers on the PSUs!
Comment by Ketch Kelly on August 2, 2011 at 8:31pm © 2012 Created by Terry Lowe.
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